– Looking for the Horizon: The Public Space as Mythic Dreaming of Presence, in Performing Arts in the 21rst cent. Contemporary Practices and New Approaches, E. Prousali (ed.), Athens: Evrasia Publication, pp. 232, 2023;

– ‘Embrace of the Serpent’ (or how could a landscape performance practice operate as a practice of being), in the Anthropocene, Katerina Iliopoulou (ed.), journal ΦΡΜΚ, issue 17, 2022;

– The Geopoetics Project: Performing Landscape as an Event, in 10 years Performance now, Aggeliki Avgitidou (ed.), Department of Fine Arts, University of Western Macedonia, (pp. 36), 2021;

– ‘The female gaze as a methodology of creative practice’ in Amygdalia: Four women duscuss about the awarded film of Christina Phoebe, cinemagazine, 7.3.23;

– ‘Artistic Research: Methods and Directions II – Geopoetics: a performance research practice of body and landscape‘, e-journal skene, issue no.12, 2020;

– ‘Review of Teaching Presence: Field Notes for Players’ by Lee Worley, Journal of Performance and Mindfulness, vol. 3, no. 1, pp.152, 2020;

– ‘Hiking Performance Stonelines towards a landscape performance practice of the female gaze’ in International Encounters/Conference ‘WALKING PRACTICES/WALKING ART/WALKING BODIES’, School of Fine and Applied Arts of Western Macedonia (Prespes, 2019);

–‘Walking as meditation or how-to walk-in places of emergency’ in Walking Art/ Walking Aesthetics, Interartive e-journal, 2018;

– ‘The Whole World is a Symbol: Performing thb. Hiking Performance Stonelines towards a landscape performance practice of the female gazee Embodied Landscape as a Buddhist Practice’ (2016) in Dancing with Dharma: Essays on Movement and Dance in Western Buddhism, ed. Harrison Blume, NC: McFarland;

– ‘Geopoetics: A Buddhist-inspired site-specific performance practice’ (2016) in Dancing with Dharma: Essays on Movement and Dance in Western Buddhism, ed. Harrison Blume, NC: McFarland;