[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Nychtokopi Means night labor in Greek a performance artists’ laboratory and a series of night community meetings.  It is inspired by the evening house gatherings taking place in Greek villages in wintertime where people would carry out household tasks while being together. Based on the structure of

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]a walking event A walk about sensing, dreaming and belonging from mountain Ymittos, the eastern borderline of the city. We return to (or perhaps arrive at) the house of Isadora and Raymond Duncan we embody their ‘in between’, seen and unseen connections, and

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]performance audio video installation Volax: geological area suffused with granite boulders in Tinos island     Four female performing artists interact live with the image and embodied experience of the landscape of Volakas. They explore an experiential mapping of the Cycladic site in order to create

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The Volax Project is a body-landscape performance practice laboratory. The project investigates the relationship between body and environment both individually (physically, emotionally and spiritually) and collectively (socially, economically and culturally).  Taking into account the profound changes occurring in the individual and social life

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The Mountain Body is a participatory walk, making a bypass journey at sunrise, from the village of Agios Germanos to the village of Lemos in the mountain region of Prespa National Park. It recognizes body and mountains as forms ‘generated and sustained

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Contemplative Dance Practice in the Virtual Space: an online movement meditation practice. a participatory digital performance practice Contemplative Dance Practice draws both from the tradition of Tibetan Buddhism and from the post-modern dance lineage. Devised in 1980 by Barbara Dilley, Contemplative Dance is practiced

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]'LYSIS performance [is] a site-specific tour among the ruins of the ancient dream healing shrine and its surroundings. In the form of offerings (“typia”, i.e. eye, ear, larynx,vocal cords etc), over-sized human parts of the suffering body that anticipates healing will substantiate

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Meditations on Xenakis’ Motions, Bodies and Textures multimedia performance  Theodora Skipitares – Anna Tzakou – Katerina El Raheb Department of Performing and Digital Arts/ University of Peloponnese. The students of the Department of Performing and Digital Arts (2nd and 3rd year) in collaboration with the distinguished

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Rea Frantzi [exodus] is a walking site-specific performance designed as a loop, for one spectator at a time in the center of Athens. It is based on the book H Grammi tou Orizontos (1991) by Christos Vakalopoulos that narrates the journey of

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]There is no audience. There is no narrative. We do not talk about anything or anyone. What takes place is only the noticing and the direct experience. How much in tune we are with the present. What exists between bodies when they look for an understanding that