[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]There is no audience. There is no narrative. We do not talk about anything or anyone. What takes place is only the noticing and the direct experience. How much in tune we are with the present. What exists between bodies when they look for an understanding that

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]open studio practice: encounters without division the core of live art is the encounter Open studio practice is a personal and group awarenesstrainingof body/mind/space through meditation and action. Dancers, Musicians, Artists, Performers, Actors and Poets have been invited to follow an open structure and

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]a clay-body-landscape performance laboratory Ceramist: Theodora Chorafa Performance practitioner: Anna Tzakou March-April 2019 On behalf of the European Dance House Network Atelier ZOOM IN! on dance and craft And Duncan Dance Research Centre in Athens We trusted the process and what the moment gives birth to. We had

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The Whale Song performance explores the function of space, time and physical presence into a performative act detached from meaning. Its aims are to study and compose a physical score, to create content through form, and to investigate perception through a non-linear

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]With the oblique and "queer" reproduction of cultural stereotypes, we attempt the reclaiming of the erotic desire and of the gendered body. Desire is adrift inside the tension between self-determination and socially-driven definition; in our opinion, in this borderline lies emotion, desperation, violence

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]We Never Closed "We are all radiant in Kronstadt. The proudest of geographies." Three-hour performance of the poem "Neolithic Nocturne in Krondtadt" by Nikos Karouzos, on the song "At last I'm free" by Robert Wyatt. It was the performance that inaugurated the platform "We

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Something makes us believe that there is always somewhere else better to go. My mind wants to assign blame. Where are you coming from? The Dusty American Nightmare 10 Questions and a Red Object A crayon, a scurf, a notebook with red hearts on it and the

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]An image made by elements of everyday life, a sequence that loops.  Could it be moved by space and time? If it kept being dissolved over and over again in 6’ minutes time what would it happened?   A concept made by the instruction

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Luminous Emptiness is a multi-media, staged adaptation of the text Bardo Thodal, better known in the U.S. as The Tibetan Book of the Dead. This ancient Tibetan text was intended to serve as a guide for the deceased soul from the moment

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[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Structured within a 'male' space, a former car wash, the performance examines female gender as a public discourse and a sociopolitical identity in contemporary Greece. 7 female artists from different art disciplines devise actions by paying attention to their physical, emotional, psychological and

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