[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Structured within a 'male' space, a former car wash, the performance examines female gender as a public discourse and a sociopolitical identity in contemporary Greece. 7 female artists from different art disciplines devise actions by paying attention to their physical, emotional, psychological and

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Performance Stonelines is a hiking event that questions the necessity to stand in and across the landscape of Apano Meria in Syros. Descending from a hill to a cost line in the northern part of the island, we perform and are being

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]et-men means "breathe". It is the etymological root of Atman: the real Self that one ought to discover. Performance et-men or breathe is a participatory event that invites viewers to connect with themselves and others through the dual process of meditation and observation.

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The performance 277 metres invites audiences to a participatory, walking performance on the highest point in Athens: Mount Lycabettus. The time is sunrise, when the shadow of the Lycabettus gradually recedes, and the city is bathed in sunlight. The agave trees and

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Topophilia is the manifestation of a human love for a place (Yi-Fu Tuan, 1974)   Performance Topophilia is a participatory performance event. It investigates the bodily experience of the Athenian landscape to examine notions of memory, home and belongingness. The performance is geographically organized along

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The Performance En me to gyrin is a participatory, walking performance based on the love story between a Turkish Cypriot man Hassan and a Greek Cypriot woman Habou who leaved and died in the Androlikou village of Akamas. The performance took place

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]Performance Anaparastasi constitutes a collective participatory event. It is an in situ reenactment of the rally organised by EAM (the National Liberation Front) on the 3rd of December in 1944 during which gendarmes opened fire and killed unarmed protesters. The specific day

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]The Whale Song performance explores the function of space, time and physical presence into a performative act detached from meaning. Its aims are to study and compose a physical score, to create content through form, and to investigate perception through a non-linear

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css_animation="fadeIn"]With the oblique and "queer" reproduction of cultural stereotypes, we attempt the reclaiming of the erotic desire and of the gendered body. Desire is adrift inside the tension between self-determination and socially-driven definition; in our opinion, in this borderline lies emotion, desperation, violence